- Paths
- la Rinascente 1865-2017: the History of Deparment Store
- La Rinascente before la Rinascente
- La Rinascente. Ieri, oggi e domani
- FIFTY YEARS OF LA RINASCENTE’S HISTORY IN ITS HOUSE ORGAN’S PAGES
- Posters by Rinascente
- THE SKETCH BETWEEN ART AND ADVERTISING
- The Golden Years 1954-1957
- The Rinascente Design Centre
- Graphic design and visual communication lR
- Illustration is in vogue
- 150 years of fashion at Rinascente
- The lR Fashion Shows
- The innovative idea od introducing ethnic features
- Interior fittings
- The magic of department stores
- Rinascente is all about women!
- lR Special sales
- Rome Piazza Fiume
- 1931-2021 A life between fashion and design
- Themes
- Archives & Library
Archivio Gian Carlo Ortelli
Gian Carlo Ortelli was born in Milan in 1925, and graduated in Architecture at the Milan Polytechnic in 1950.
He and Carlo Pagani designed many projects, including the interior design of la Rinascente department stores in Catania, Genoa, Rome Piazza Fiume, besides the head office of the leading daily newspaper in Cairo.
Always with Pagani he designed the fittings for the first exhibition of the Compasso d’Oro Award organised at the Press Club in 1954. At the same time he taught Design at the Sforza Castle’s School in Milan.
In the 1950s, la Rinascente was inspired to develop the convergence of innovation, design and architecture. In the framework of this process, in 1956 Ortelli (with other famous young graphic designers and designers, such as Roberto Sambonet and Bruno Munari) was invited as consultant to design shop windows, promotional fittings and themed exhibitions in Japan, Mexico, the Indios, America and England.
Both during and after the partnership with la Rinascente, which drew to a close in 1967, the Ortelli and Sianesi Studio designed council houses, crèches, private residences in Lombardy and Tuscany, launched the first urban project in Porto Rotondo, Sardinia, and followed restoration works at the Lodi Art Gallery and the Vigevano Cathedral Museum.
Ortelli’s bond with art led to the implementation of projects for La Grande Brera and Brera 2, restoration works for Palazzo Citterio and fittings for numberless exhibitions, including the one dedicated to Caravaggio at Palazzo della Ragione, Bergamo, to Bernardino Luini in Luino and L’Anima e il Volto, curator Flavio Caroli, set in 1998 at the Palazzo Reale, Milan.
The partnership with Giorgio Armani was established in the late 1970s. It lasted over twenty years and was a happy combination of the two styles featuring rigour and minimalism. Gian Carlo Ortelli designed the store in via Durini for the young fashion line. Hence the creation of the first historical Emporio Armani in 1981, followed by several concept stores for all lines of the fashion house, and hundreds of boutiques worldwide, including Italy, Europe, America, Australia, the Persian Gulf, China and Japan. During this long and profitable partnership, Ortelli also followed renovation works for the building situated in via Borgonuovo, interiors designed by Armani for Alitalia aircrafts, the showroom project in via Bergognone and the stylist’s two boats.
The selection proposed here mainly includes photographic albums on the partnership between Ortelli and department stores, with special documented focus on the interior design project for la Rinascente branches in Genoa and Rome Piazza Fiume, the shop windows design, promotional fittings and themed exhibitions dedicated to Spain, Japan, the Indios and the USA at the head office in Piazza del Duomo, Milan.
The selection also includes six tracing papers (axonometric projections of interior fittings and shop windows) and a series of technical drawings of la Rinascente branch in Rome Piazza Fiume.
© Archivio Gian Carlo Ortelli, all right reserved.
For additional information, visit www.ortelliarchitetti.com/
Funds
- Archivio la Rinascente
- Archivio Storico Civico e Biblioteca Trivulziana
- Civica Raccolta delle Stampe “Achille Bertarelli”
- Civico Archivio Fotografico di Milano
- CASVA (Centro di Alti Studi sulle Arti Visive), gli archivi del progetto a Milano
- Biblioteca Nazionale Braidense - fondo Sommariva
- Fondazione La Triennale di Milano - Biblioteca del Progetto e Archivio Storico
- Fondazione La Triennale di Milano - Archivio Paola Lanzani
- Fondazione La Triennale di Milano - Archivio Piercarla Toscano Lanzani Racchelli
- Archivio Brustio-La Rinascente - Università Commerciale Luigi Bocconi
- Archivi Storici Politecnico di Milano – Archivio Albe e Lica Steiner
- Archivio Progetti, Università Iuav di Venezia – Fondo Giorgio Casali
- Camera di Commercio di Milano
- Archivio storico - Intesa Sanpaolo
- Archivio storico UniCredit
- Fondazione ADI Collezione Compasso d'Oro
- Fondazione Fiera Milano - Archivio storico
- Fondazione Biblioteca Europea di Informazione e Cultura (BEIC) - Fondo Monti
- Fondazione Piero Portaluppi
- Archivio Romualdo Borletti
- Touring Club Italiano
- Archivi Farabola
- Archivio Saporetti Immagini d'Arte
- Archivio Ballo+Ballo
- Archivio Mario Bellini
- Archivio Adriana Botti Monti
- Archivio Cesare Breveglieri
- Archivio Mario Cristiani
- Archivio Salvatore Gregorietti
- Archivio Max e Aoi Huber
- Associazione Giancarlo Iliprandi
- Archivio Amneris Latis
- Archivio Serge Libiszewski
- Archivio Italo Lupi
- Archivio Tomás Maldonado
- Archivio Ettore Mariani
- Archivio Rosanna Monzini
- Archivio Augusto Morello
- Archivio Nicolò Nefri
- Archivio Ornella Noorda
- Archivio Gian Carlo Ortelli
- Archivio Carlo Pagani
- Archivio Pittorico Roberto Sambonet, Milano
- Archivio Giorgio Pulici
- Archivio Vanity MFI
- Archivio Galati
- Collezione Michele Rapisarda
- I Vostri Contributi